Instructor: Louisa Bacio
Dates: January 2 – 29, 2012
Course Description: Beginning writers are often told to: “Write the story you want to read, not what someone else might want to see.” This class, instead, deals with catering a short story specifically to a publisher’s request for submissions. Regularly, editors and publishers list upcoming anthologies and the types of stories they’re looking to include.
The course will explore current call-outs, and students will be encouraged to write specifically for one anthology and to submit the work at the end of the course. Basic crafting of a short story, such as development, characterization, plot structure & dialogue also will be covered. Since most short stories fall within 2,500 to 5,000 words, we’ll also look at ways to making word choice count and the editing process.
Instructor: June Diehl
Dates: January 2 – 29, 2012
Course Description: In this workshop we’ll cover: What is a YA paranormal? What is the same or different that adult paranormals? What subjects might you write about? How not to be preachy, but still open up discussion about your theme(s). How to pick ages for your young characters.
Instructor: Joni Fisher
Dates: January 2 – February 19, 2012
Course Description: There's nothing worse than bland-as-oatmeal writing that doesn't evoke passion, laughter, anger, love…some kind of emotion from your reader. Story tellers who don't elicit emotion won't gain an avid readership. It's that simple.
If you've struggled, wondering how you can get your writing to sparkle like a new penny, or a just cleaned window, learn to see everything as a metaphor for your writing. Start by looking in your spice cabinet, or your herb garden with a fresh perspective.
Instructor: Joni Fisher
Dates: January 5 – 29, 2012
Course Description: This workshop three-week workshop is designed for fiction writers, college age or above, who have completed a first draft of a novel. At the end of the workshop, students will be able to:
• Identify the purposes and limitations of dialogue.
• Infuse dialogue with conflict. Make each conversation matter. One acting technique and nine elements show how to enliven any dialogue ranging from polite debates to violent confrontations.
• Construct dialogue with depth of meaning that flows at two levels. Fine tune dialogue to create suspense and raise questions in the reader’s mind.
• Transform predictable exchanges into memorable, fresh dialogue using a simple creativity technique.
• Craft believable, dynamic conversations that cut to the chase. Apply the less-is-more adage to dialogue. Learn when to summarize and use fragment quotes.
• Talk the talk. Individualize characters through dialogue using any of eleven revealing markers. See how to conduct field research for dialogue.
• Apply the stimulus/response pattern to maintain clarity of action in a scene.
• Use dialogue tags, action tags and thought tags to show character’s goals, motivations and conflicts.
• Format and punctuate dialogue properly.
***This workshop is limited to 45 students. The first 30 students to register will get a free critique on the first 30 pages of their WIP.
Instructor: Pat Hauldren
Dates: January 5 – 29, 2012
Course Description: This class will examine how to write for online media such as Examiner, Demand Studios, Suite 101, eHow, etc., to build a writer’s platform to help the author get published.
We will examine the benefits for writers, especially for those who write fiction, what skills are needed, where to find the media, and how to get started.
Instructor: Jeannie Eddy
Dates: January 5 – 29, 2012
Course Description: Want an editor or agent to want to read your book? You have to write a great hook to drag them into the story, so they want to find out what happens. Your hook should inform, inspire and interest your readers – no matter who they are. You can use the hook as your pitch, using it at pitch sessions or conferences or wherever you happen to run into your dream editor/agent.
In this class, we’ll explore what a hook is, what it should say and how to write one. And to make it even better, we’re going to work on each student’s hook in class, and help them carry that hook further into the book, to make your first chapter your “money” chapter.
Instructor: Beth Daniels
Dates: January 5 – 29, 2012
Course Description: This workshop is for anyone interested in ways to slough past the parts where our imagination fails to go, through the times when our Muse heads for the Caribbean and leaves us to fend for ourselves.
Instructor: Sascha Illyvich
Dates: January 5 – 29, 2012
Course Description: Sascha Illyvich, with the help of M Christian, Oceania, Jean Marie Stine, Ralph Greco, Deborah Riley Magnus and Thomas Roche, we are going to explore the daunting aspects of erotica in all its forms. Once a week we’ll discuss every aspect of writing sexy fiction from what makes a story erotic even if there is little to no sex involved. Writers of all genres will come away with writing tips that will benefit their careers. We’ll cover author marketing, what defines a story as erotic, things new writers need to consider and the business angle of writing erotica.
Instructor: Caroline Clemmons
Dates: January 9 – 15, 2012
Course Description: Your novel must contain multiple layers blended together in one masterful tale. Isn’t this what we all want for our writing? Whatever the genre or sub genre, we crave a perfect end result. Regardless of your genre, we’ll talk about some of the ways in which a writer can layer a novel. The tools you have are your words. How you use them determines your result. Do you want a towering epic skyscraper like Diana Gabaldon’s Outlander or do plan a short cozy bungalow for Harlequin Presents? Each of you has the gift to create the world you choose. You alone can unleash the phenomenal power lurking in your subconscious. And, yes, THE POWER IS THERE whether you unleash it or not.
Instructor: Bonnie Edwards
Dates: January 9 – 15, 2012
Course Description: Do you fly into the mist of a new story without a plot? A strong grasp of Scene and Sequel will make your second draft stronger and your revisions easier. Does your story fizzle out by the end of Chapter whatever? Scene and Sequel can point the way ahead.
Applying scene and sequel to your work is one of the most versatile tools in your writer’s toolkit. This is storytelling in its basic form: it improves pacing, plot, how you reveal character and can tighten those dreaded sagging middles. Combine this with Stimulus and Response (an upcoming workshop) and you’ll find new ways to make your stories shine.
Instructor: Kris McConville
Dates: January 9 – 29, 2012
Course Description: In this workshop, Kris McConville will dispel the myths of lawyers shown on TV and movies and by the end of the workshop, writers will be able to accurately portray a lawyer in a manuscript; whether it be a main character or a secondary character involved in a subplot. Writers will learn a basic knowledge of the ins and outs of the legal system; different types of lawyers and their specialties; the difference between civil and criminal proceedings; and the basic knowledge of people involved with cases from court clerks to expert witness to juries.
Action-Adventure and the NYT List: What Makes a Steve Berry Best Seller Tick
Instructor: Beth Daniels
Dates: January 9 – February 5, 2012
Course Description: A look at what makes a Steve Berry tale tick is well worth the effort, whether your goal is to land a spot on the NYT list or merely improve the sales potential of your novel. To make it easy to find a title to use as our textbook (via library or bookstore), we’ll be working with THE ALEXANDRIA LINK, copyright 2007. It’s 499 pages long, which means we’re taking 4-weeks to read, study, evaluate, and do a bit of plot-wise emulating along the way.
Instructor: Jody Allen
Dates: January 9 – February 5, 2012
Course Description: The Warrior Monks of the Crusades have become a fascinating study in myth and legend but what about the facts? We know they were the world's first bankers creating the first traveler's check system, and were probably the world's first Special Forces warriors. This class will explore who they were and the structure of the order (military and religious) how they lived, their history as the Church's first warrior monks (with special privileges granted by the Papacy) with a mission to protect the crusading pilgrims in the Holy Lands (Outremer). Who were their competitors (Hospitallers and Teutonic knights)?...
Instructor: Pepper O’Neal
Dates: January 9 – February 5, 2012
Course Description: Now that you have your website or blog set up, it’s time to get creative. This course will focus on advanced customizing of WordPress sites. It will include: troubleshooting your site when it crashes, creating custom themes and child themes, allowing users, allowing subscribers, importing and exporting content from different sources, creating user-friendly permalinks, search engine optimization, using the WordPress community forum, and creating a webhost server on your home computer that is not connected to the internet so that you can test ideas in a risk-free environment. The class will last four weeks.
Instructor: Chris Redding
Dates: January 15 – 29, 2012
Course Description: How to start with a page of dialogue and build a scene, adding setting, emotion, action. In this 2-week class, you will start with two pages of dialogue and transform it into a fully functioning scene. By adding each element of what needs to go into a story individually, you will see how it all makes the whole. You will also be able to add all the elements seamlessly, including description and character emotions. Instead of deconstructing a scene, you will be constructing a scene from the ground up.
Instructor: Mima
Dates: January 16 – 22, 2012
Course Description: This workshop is a 3-day brainstorming and how-to guide on interactive fiction. This genre was made famous by the Choose Your Own Adventure series in the 80's and is enjoying a renaissance, including an open call at Carina. Plotting tips, discussion of choice types, and working with multiple endings will be shared on Day 1. Pitfalls and organizational nitty gritty will be covered on Day 2. Day 3 is a shared brainstorming session where you can begin analyzing your story thread ideas to balance the plot and clarify the main character. All sub-genre writers welcome including non-romance. Not recommended for novice writers or those ardently opposed to plotting.
Dates: January 16 – 29, 2012
Course Description: At the end of this workshop, you will be meditating and moving your way to a healthier muse, body, and mind. The audience for this workshop are writers who want to improve mind, body, and muse without breaking a leg, breaking a sweat, or breaking the bank. There is no pre-requisite for this workshop except a desire to become more creative and healthy.
Instructor: Theresa Meyers
Dates: January 16 – 29, 2012
Course Description: We work so hard to make our characters three dimensional, but what without giving in to the temptation to do huge amounts of backstory dumping into our stories, how do we get it across? In this course you’ll:
• Discover when and how to use backstory to improve pacing
• Learn techniques for interweaving backstory with action, inner thought and dialog
• Find ways to make your characters actions and reactions match with backstory
• Learn why backstory is better in small bits and how to pick out what matters and what doesn't in your character's backstory
Instructor: Kitty Bucholtz
Dates: January 16 – February 12, 2012
Course Description: Wherever you are in your career, time management is often one of the biggest challenges. Every New Year’s Eve, as the fireworks explode, we try to figure out how to make our goals into our reality. But what will work for you?
In this class, you will be presented with a variety of ways to look at goal setting and time management specifically designed for the writer. Whether you are a plotter or a pantster, this interactive course will help you design a game plan that will work for you.
Instructor: Suzanne Rock
Dates: January 16 – February 12, 2012
Course Description: Writing a good sex scene takes hard work. If an author isn’t careful, he or she can be caught up in clichés and euphemisms, both of which can detach the reader from the story. By contrast, a great sex scene can give the reader new insight into the characters and their relationship, as well as further the plot or expand a theme. In this course we will focus on the key elements that make a sex scene memorable and learn how to use writing tools such as prose, scenery, dialogue, and point-of-view to create scenes that both you and your readers will love.
Instructor: Beth Daniels
Dates: January 23 – February 9, 2012
Course Description: Does the magic in a modern story need to be the same that was practiced by Merlin or Dumbledore, by Morgan Le Fay or Lord Voldemort?
If you answered yes, it simply means you haven’t encountered the urban magic of Kate Griffin’s world in her Matthew Swift series. Here magic no longer comes from the Earth, from growing things, animals, stones, and weather – it comes from the evolved world, from telephones, trains, cars, rubbish, graffiti, and electricity.
That’s not all this workshop focuses on though. Though we’ll look at how intricately woven and well constructed Griffin has made Swift’s world over four weeks time, using each of the first three Matthew Swift books, the second goal is to study Griffin’s work for craft clues.
Instructor: Jodi Henley
Dates: January 30 – February 5, 2012
Course Description: Do you write stories people want to read? Join Jodi Henley in an intensive 14 day workshop designed to get you from concept to download in a supportive, feedback heavy format.
Instructor: Beth Daniels
Dates: January 30 – February 26, 2012
Course Description: To paraphrase Cole Porter, advanced speech geeks do it, presidents and lawyer type creeps do it, Aristole and the Greeks do’d it, let’s do it, let’s…well, Cole says “let’s fall in love” but we’ll change that to “let’s write with flare.”
In other words, let’s use the same compositional and speech tactics that have been getting results for over a thousand years. The things I term compositional flourishes. Some of them we’re all probably familiar with…onomatopoeia, alliteration, repetition, metaphor, simile, and of course the romance writer’s constant companion, euphemism. But how can we direct these specifically toward writing scenes fraught with sexual tension, love scenes, and erotica?
That’s what this workshop is all about.
Instructor: Shannon Donnelly
Dates: January 30 – February 26, 2012
Course Description: "Show, don't Tell" is a cliché that has almost lost its meaning. But both showing and telling are valuable tools for any writer--writers need both narrative passages as well as dramatic scenes, so each has its own place within any writer's skill set. In this workshop, we'll use writing examples to figure out the truth hidden in this tired phrase. And how "show, don't tell" really means "show more with dramatic scenes, and tell only when you need to move the story along".
Instructor: Louisa Bacio
Dates: January 30 – February 26, 2012
Course Description: Let’s talk about sex. Whether you’re writing a short story, novella or a full-length novel, an erotic thriller, paranormal or historical romance, the basics of the Erotic Romance remain the same: it’s all about plot and keeping it hot.
The workshop will cover the basics of characterization and motivation, and then delve into the heart: The sex scene(s). When writing about the physical aspects of love, it takes more than the cliché of “putting tab A into slot B.” The love scenes need to come organically from the work that’s being created, and the reader needs to believe in the connection.
Instructor: Kat Duncan
Dates: January 30 – February 26, 2012
Course Description: You've heard the old adage "write what you know". But what if you're a housewife with no work experience and your most recent hobby is folding laundry? You know more than you think. You may know how to solve tricky problems, soothe ruffled feathers, keep law and order, monitor sick kids, sympathize over the loss of a pet, or organize a mob of unruly kids at a party. You have goals and aspirations, even if they are just to get through the next holiday dinner. Kat will help you dig deep into your personal skills and pull out every tool you have that can be used in your writing. Not only that, but Kat will help you see how those skills could be applied to every fiction genre from sweet inspirationals to erotic sci-fi. Published examples, plus short exercises and templates support your writing goals for the future.
Instructor: Karina Fabian
Dates: January 30 – February 26, 2012
Course Description: **NOTE** Need to have taken Worldbuilding 101 or have an established world!
Let’s take it up a notch! This forum class will help you apply your world to your story, explore it in more depth. We’ll create some simple supporting documents, play with scenes, and take your world to the next story.
Instructor: Pam McCutcheon
Dates: January 30 – February 26, 2012
Course Description: Most writers hate writing synopses, and no wonder. After you've agonized over several hundred pages to make your prose absolutely perfect, how could you possibly distill that down to a measly ten or twenty pages? Or, worse yet, one or two? By the time you've written the book, everything seems important, and it's difficult to know what to put in and what to leave out. To help with that problem, Pam McCutcheon will show you the step by step approach she developed, which is also detailed in her popular book, WRITING THE FICTION SYNOPSIS, from Gryphon Books for Writers. Classes will include instruction, homework assignments, and some review of homework.
Happy Writing!